It’s also a game where distraction is part of the appeal. “Things that we never imagined would happen are happening and it affects us.” - creative director Dan Hay on Far Cry 5Īt its best, Far Cry is a series about big, action movie-style set pieces, ones that set you loose with a lot of toys and a little bit of direction. They believe the world is going to end, and they’re preparing for the collapse, which mostly means stocking up on guns and kidnapping new recruits in a place free from government intervention. The county is overrun by a religious doomsday cult called Eden’s Gate.

But it would’ve been better off if it was just a big, dumb action game.įar Cry 5 takes place in the fictional town of Hope Valley, Montana, which is conveniently isolated from the rest of the world you first realize you’ve arrived in Hope when your smartphone stops working because there’s no connection in the valley.

It’s a big, dumb action game with an artificial sheen implying depth. And after playing a few dozen hours of the game, the reason for their reticence is clear: Far Cry 5 doesn’t have anything to say about race in America. In the months since, the developers at Ubisoft Montreal have been hesitant to draw any true parallels between the game’s world and the real world. The first piece of art for the game was a re-creation of The Last Supper, but with Southern hipsters wielding guns and knives and a tablecloth that was an alternate reality version of the American flag. Whereas most shooters have players aim their weapons at zombies, demons, or Nazis, Far Cry 5 takes place in Montana, and its enemies are American citizens who bear a strong resemblance to the stereotypical image of a modern, young white supremacist. A few hours into Far Cry 5, I had a realization: this game would be a lot better if it didn’t have a story.Įver since its reveal nearly a year ago, Far Cry 5 has invited controversy.

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